The Lens Correction tool in Capture One Pro 10 has been improved and now also includes Lens Diffraction Compensation. This is a feature that compensates for the loss of sharpness and micro contrast that occurs in images shot using small apertures.
Whenever you need a larger depth of field in your images, you can now stop down your lens at least one stop further than what you would previously have done without losing the perceived sharpness of your image.
What is diffraction?
Diffraction in a lens is not about how well the lens has been designed and manufactured, but it’s something that’s determined by the laws of physics. As light is an electromagnetic wave, it does not always travel in a straight line. When light waves pass near a barrier they tend to bend around the barrier and spread out. The aperture in a lens acts as a barrier. When light waves pass through a large physical aperture in a lens, hardly any bending of light will occur. But when stopping down the lens, some bending of the light will inevitably happen. An image of a perfect point light source will then no longer be a sharp light point, but will be a more diffuse light point. In a normal image, you will see this as loss of sharpness and micro contrast. This effect of lost sharpness becomes increasingly visible the more the lens has been stopped down.
When will you see diffraction in an image?
How much you see the negative influence of lens diffraction depends on the pixel size of the image sensor in your camera and the aperture you are using. The table below shows when you’ll typically see the loss of sharpness caused by lens diffraction when using cameras with different sensor size and pixel count.
Example of lens diffraction
In this example, I want to show you how much sharpness and contrast you actually lose because of lens diffraction. In the test below I used the Phase One XF 100MP camera system with an AF 45mm lens. The camera has a Low Vibration mode which utilizes the electronic front shutter curtain and the built-in vibration sensors to insure vibration free exposures. This means that any decrease of image sharpness in this example is purely caused by lens diffraction.
Scene used for showing the effect of lens diffraction.
200% zoom into the center of the image.
The images have been shot using apertures from f/8 to f/22. At f/8 the image is still showing maximum sharpness. At f/11 you can just about notice a minor decrease in sharpness.
At f/16 a decrease in sharpness is obvious, and at f/22, it becomes so soft that details are disappearing.
In the example above it is evident that if you stop down your lens too much, you will lose sharpness and micro contrast. When checking on the Diffraction Compensation in Capture One 10, a special kind of complex re-sharpening of the images will take place to restore the lost sharpness and micro contrast. Needless to say, if details are totally lost due to diffraction they cannot be restored, but even such images will still greatly benefit from the Diffraction Compensation tool.
The Lens Tool with Diffraction Compensation turned on
100% zoom into the center of the scene.
In the column to the left all the images are shown as they will appear using the default settings in Capture One Pro. For the images in the right column, the Diffraction Compensation has been turned on.
As can be seen in the example above, the Diffraction Compensation tool does a fantastic job in restoring the lost sharpness and macro contrast. The image shot at f/16 is now perfectly usable, and even the image shot at f/22 is reasonably okay.
Diffraction Compensation is turned off by default in the Lens Correction tool because it can add more processing time and minor noise increase, even for images where the correction is not required.
Diffraction compensation for more depth of field
Knowing that the diffraction limits the sharpness of my image, previously I would typically have used f/11 as my smallest aperture for medium format images. Now with the new Diffraction Compensation, I don’t hesitate to stop further down if I am in need of more depth of field.
For making the above image with the Phase One XF 100MP camera system with the Schneider Kreuznach 55mm LS f/2.8 lens, I had the new Diffraction Compensation feature in mind so I chose to stop down to f 14 to get the large depth of field in the scene.
At f/11 I could not get the lighthouse and foreground sharp at same time. The 2 top images are 100% zoom into the same image where focus is perfect on the lighthouse but loses the foreground. For the second row of images I moved the focus closer but lost the sharpness on the lighthouse.
Using f/14 I can get enough depth of field in the image and by using the new Diffraction Compensation option in the Lens Tool I easily compensate for any loss of sharpness.
The Image Quality Professor
The digital pioneer, Niels V. Knudsen, is Phase One’s Image Quality Professor and founder of the IQP blog. Moreover, he is responsible for breakthrough advancements in image quality both in Phase One’s medium format camera systems and in Capture One Pro.